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This production of what are now called stylistic alternates to suit national tastes was common at the time, and many alternates were also offered for Gill Sans for use in Europe. Listed as Times Newspaper Smalls, available as either Series or , it was also referred to by the name Claritas. The major changes to the Times Roman typeface itself were a reduction in the slope of italic characters to 12 degrees from 16 degrees, so as to reduce the need for kerning, and a change in the form of italic v and w so that italic v could be more easily distinguished from a Greek nu.

The 4-line system involved casting characters for point Times Roman on 6-point bodies. The top of the character would overhang the slug, forming a kern which was less fragile than the normal kerns of foundry type, as it was on a slab of cast metal. This technique had been in previous use on Monotype machines, usually involving double-height matrices, to allow the automatic setting of "advertising figures" numbers that occupy two or more lines, usually to clearly indicate a price in an advertisement set in small type.

This meant that the same matrix could be used for both superscript and subscript numbers. More importantly, it allowed a variable or other item to have both a superscript and a subscript at the same time, one above the other, without inordinate difficulty. Previously, while the Monotype system, due to its flexibility, was widely used for setting mathematical formulas, the typeface Modern Series 7 was usually used for this purpose.

Informal Roman font family

Matrices for some characters were available as part of Times Roman Series when it was released in , with new characters constantly being added for over a decade afterwards thus, in , 8, characters were included, and new ones were being added at a rate of about 5 per week. Times New Roman's popularity rapidly expanded beyond its original niche, becoming popular in book printing and general publishing. Monotype took advantage of this popularity by commissioning a widened version, Series , for book publishing, although many books ultimately used the original version.

An early use of Times New Roman outside its origin was by Daniel Berkeley Updike , an influential historian of printing with whom Morison carried an extensive correspondence. Walter Tracy , who worked on a redesign, however noted that the design's compression and fine detail extending to the edge of the matrices was not ideal in the aggressive conditions of most newspaper printing, in which the Times was unusual for its particularly high standard of printing suiting its luxury market.

Users found that in the hot metal period it was common for the molten metal to rapidly eat through the matrices as type was being cast, and so it did not become popular among other newspapers: "Times Roman achieved its popularity chiefly in general printing, not in newspaper work.

Times New Roman remains popular in publishing, helped by the extremely large range of characters available for international and mathematics printing. Despite Monotype's key role in creating Times New Roman, its rival Linotype rapidly began to offer the design; The Times used Linotype equipment for much of its production. Linotype referred to the design as Times or Times Roman. Monotype and Linotype have since merged, but slight differences have split the lineage of Times into two subtly different designs.

Although Times New Roman and Times are very similar, various differences developed between the versions marketed by Linotype and Monotype when the master fonts were transferred from metal to photo and digital media. For example, Linotype has slanted serifs on the capital S, while Monotype's are vertical, and Linotype has an extra serif on the number 5. Subtle competition grew between the two foundries, as the proportions and details as well as the width metrics for their version of Times grew apart.

Linotype licensed its version to Xerox and then Adobe and Apple , guaranteeing its importance in digital printing by making it one of the core fonts of the PostScript page description language. Linotype applied for registration of the trademark name Times Roman and received registration status in In the s, there was an attempt by a group of entrepreneurs to seek from Rupert Murdoch , who owned The Times , the right to use the Times Roman name; separately, a legal action was also initiated to clarify the right of Monotype to use the name in the US despite Linotype's registration.

As a result of legal action, Linotype and its licensees continued to use the name Times Roman, while Monotype and its licensees used the name Times New Roman. Monotype sells a wider range of styles and optical sizes for Times New Roman than are offered with Windows, in order to meet the needs of newspapers and books which print at a range of text sizes.

As of , the version of Times New Roman included with Windows 10 , version 6. This can result in unsightly character collisions if the characters 'fi' are needed. This is a version based on fonts released with Windows Vista. Similar to Helvetica World , Arabic in italic fonts are in roman positions. Like Monotype, Linotype released additional versions of Times for different text sizes.

These include:. Giampa claimed that he stumbled upon original material in , after he had purchased Lanston Monotype, and that some of the papers that had been his evidence had been lost in a flood at his house, while Parker claimed that an additional source was material in a section of the Smithsonian now closed due to asbestos contamination. Reception to the claims was sceptical, with dismissal from Morison's biographer Nicolas Barker and Luc Devroye among others; Barker suggested that the material had been fabricated in order to aid Giampa in embarrassing Monotype's British branch, while Devroye suggested that the claim had begun as a prank.

I won't rule out the possibility that Starling Burgess drew up the concept first, but Occam's razor makes me doubt it. Because of its popularity, the typeface has been influential in the subsequent development of a number of serif typefaces both before and after the start of the digital-font era.

Times Roman and Times New Roman are proprietary fonts. From Wikipedia, the free encyclopedia. Canonical serif font. Computer Modern is somewhat similar. Fonts of its kind were standard in nineteenth- and early-twentieth century newspaper printing and beyond; digital period typeface designer Tobias Frere-Jones wrote that he kept his family, Exchange, designed for the Wall Street Journal based on the nineteenth-century model as it "had to feel like the news.

Although Hutt, [2] and most other authors, describe Times New Roman as having a higher x-height than Plantin, Tracy reports based on published Monotype dimensions that in the original small metal-type sizes the difference was not great. Morison wrote "fount", the usual spelling in British English at the time.

Goudy for instance. Morison considered his very organic tastes in letter design somewhat florid and self-indulgent. In his commentary on Times, Walter Tracy commented that the designers should have tested the font using words like 'divide' and 'jump' to avoid this. He wrote in that he had examined Giampa's claimed patterns and that they looked as if they were made using an early Monotype production process obsolete by "the material evidence of the two-part patterns and their numbering -- if they are genuine --, suggests very strongly a design that significantly pre-dates The patterns are either deliberate hoax or they are historical artefacts" and that he was "unconvinced that this is a hoax.

Bush 's somewhat chequered military service in an unfavourable light were presented by the American news network CBS. The documents were typeset in a form of Times New Roman. As the documents looked unlike most typewritten documents , having proportional spacing rather than the monospacing of almost all typewritten documents, some defenders of the documents suggested that they might have been typed using this method. It is now accepted that they were forged on a modern computer, according to digital font expert Thomas Phinney in the Linotype version of Times New Roman.

Type: the secret history of letters. Journal of Typographic Research. Retrieved 5 March The Penrose Annual. Ultrabold 16 : 16— Ultrabold 15 : 3— Retrieved 28 July Oxford Dictionary of National Biography,. David McKitterick. Oxford University Press. Archived from the original on 12 June Retrieved 27 July Frere-Jones Type.

Retrieved 1 August Monotype Recorder. A Tally of Types. CUP Archive. Updike: Selected Correspondence. Ryan; Theodore E. Conover Graphic Communications Today. Cengage Learning. Business History Conference. Retrieved 19 December University of Reading MA thesis.

Retrieved 13 October London: Laurence King.

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New York Public Library. Retrieved 2 February Vervliet Retrieved 16 December The consensus appears to be that not only the wrong-fount a in the cases at Antwerp but also the italic that Monotype adapted for their Plantin which can be seen on that first page of the specimen may be the work of Johann Michael Schmidt died , also known as J.

Smit or Smid. Typographic Milestones. Retrieved 26 January ABC's of type. Text fonts for rehearsal marks with border Text fonts with musical symbols Bad news for music fonts lovers: As this website now has a web shop it has become a "commercial website" according to German law, even if parts of the website, like this music fonts subpage, provide information for free. The LG Hamburg the district court where our company is located has decided in that commercial websites are now fully responsible for the whole! So even if the linked subpage is ok, we may get a problem if any other subpage of the linked website has copyright problems - even if we don't know at all that the subpage exists!

In Germany currently only search engine websites like Google are still allowed to link to any website unless they positively know of copyright problems. This music fonts link list used to have more than links to commercial and non-commercial music fonts websites. All linked fonts have been checked for copyright as good as we could.


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Hopefully the German courts will change their new and very strict opinion in the next years, but until then we unfortunately have to take this link list down. All links have been removed now, but the font names and descriptions remain. Jack Yuan, good pointing out, I will have to fix that up. Please note I did not make the choices it was the authors of the book from where I got the source. Felicity, yes the title is that, more for SEO purposes however some of the fonts are free but make sure you check on the licensing. Everyone is entitled to their own opinion.

Thanks for your contribution with the other font styles, conv, some great ones in there. I think you chose the right font for the tv channel. I really enjoyed your list, thanks. But everyone has their own opinions, right :. I really enjoyed the serif fonts. You might wanna add Kozuka which is a superb font imo. URW Gothic the whole set is also very nice. First, I found this page through etc. The reason for that is different OSs handle aliasing in different ways. XP is terrible as kerning with anti-aliased turned on, while Vista is slightly better. Nice collection there, as a writer I have a great familiarity with Courier especially Dark Courier.

On the whole though, I definitely prefer the sans-serif fonts. Bernadot Studios. Good post. Thank you! One problem: the font that you show in the image is not Lucida. My favorite is Bookman Old Style. Hi Lee, not yet but I look forward to it… I am currently studying typography so will get around to it! Ah bookman old style, I was just working with that today in typography class.

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Full article […]. I love using Adobe Caslon Pro—it must be Pro and you […]. They give a huge scope to your work if you just […]. I do agree that everyone is entitled to there own opinion. I also believe that this list could have been better. If this guide is for entry level designers or non-designers, I would hate to send them in the wrong direction for such a large amount of money.

Make sure you check them out at the following link. Thanks a lot Jacob for the […]. It could […]. Care to give a reason? Top GIMP tutorial sites. Great article here. Some good advice on which fonts to use for which styles of writing. Any suggestions on where to find how to purchase newer fonts for little or no fee? My budget is like…. Helvetica is about as exciting as gray asphalt, with the glow of a cheep convenience store.

It should be banned, just like the incredibly ugly looking Comic Sans MS. Kristine — dafont. It has been used and abused and I cringe when I see it. Cale that is very true however do you see someone actually going out and buying every one of these fonts? Felicity had it summed up quite well. Here is a compilation of 30 of the best free downloadable fonts for designers. There is an excellent mix of 15 serif fonts and 15 sans-serif fonts on display. Some require […]. This was a huge help when suggesting fonts to users. You get dugg for this article, but I dont mean to nit pick, there are a few spelling errors throughout the article.

Nothing to big its just because of my teachers when I was in school. Making us spell check everything we ever did on the computer.

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Like i said digg worthy article. Nice work. Hi Wh33zy, No worries at all. I have fixed up all 3 hopefully spelling mistakes. You may also want to check your grammar in your comment above. Hint: Apostrophe. So why do you need to suggest fonts to users in your job? Sounds like an interesting job description.

Did you wager that one? Great post and articles. This is the first time I read this website and I must admit I have been a sucker once when I was just starting in design. I personally love bank gothic and buena park fonts. Akzidenz and Perpetua are new to me. Thanks for the additional knowledge Mr. Jacob Cass. You will never be able to appreciate the beauty of courier until you regularly use it.

I only had to use courier because… a class in college mandated the font for all papers. At first I was thinking one thing: More space, less words. Really though… Courier is awesome. They all look the same except the shapes and stuff. Maybe you whould make the list of the best creative fonts and the prettiest. Typical traditional list. Dull also. What customer cares about the tiny differences within these fonts?

The list could easily be reduced to Come on guys, wake up. How about Century Gothic? Non potete non averli…. I generally use Trebuchet MS or Lucida. The information above helped though…..

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My favourite fonts are again Trebuchet MS and Zapfino!!! I am not fond of typography though…..

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I use it quite alot, especially for contact details on business cards. Lubalin Graph is a perfectly weighted slab serif that can be used for body or display copy. Rockwell is much better, too. Same with the Bells. Also — Garamond is way better imo then Clarendon. I feel like the x-height on Clarendon moves the balance up to much — it feels awkward. This is a great list specially for web designers when they are designing the graphics for the websites they are developing. I might sound like a n00b, but these are not web safe fonts and hence are not recommended for use for showing text on HTML pages.

I would love to have a list of web safe fonts or nearly web safe fonts that are recommended for use. Do you have any suggestions? Boo on the Times New Roman. There are a multitude of better serif fonts you could be using over that. If I could only pick one to use for the rest of my life it would be Garamond. Par to k? I agree! Font should be readable and just simple its up only up to you as designer on how you can make eye catching design using theses fonts. Nice article. I have been looking for something like this.

Now instead of scrolling through all of my fonts I can go directly to them. Love Love Love x10 your blog. A breath of fresh air. Hi, Thanks your article usefull for me. Best wishes wish you your article will be good in future. What about Optima? A lot of Public Service departments are switching to that from Helvetica…. To those bemoaning the lack of variety and creativity, I suspect you are looking for fonts that shout louder than the content they are supposed to subtly command.

If you are concerned how these fonts are going to look on the web, simply look at this page on the web and then you will see how they look on the web. You rendered Univers with the font Trade Gothic. The actual Univers is closer to Helvetica, but with a more harmonic letter design. Great collection here. Some of the classics for sure. Glad to see Frutiger and DIN on here. Often overlooked and SO crucial. What type faces in your collection are free? Whatever you can spare, would be greatly appreciated. Dick Commer. Hello Dick, Only the typefaces that are included with software such as your Operating System are going to be free and they will still have a license.

The rest are available for purchase online. Thanks for this great list of fonts.

Foreign › Roman fonts

WOW this is a great collection of 30 excellent fonts, many of which I never would have thought of! Gives some really good food for thought and action. And to the complainers, not everything in life is free. Some of these fonts are pretty much the same. There are some great ones though that everyone should have.

I agreet that these are good solid texts that can be used effectively in a wide variety of media. Many of them look extremely similar. You should do a blog post of your favorite creative ones or perhaps some type faces that you created on your own. If these people think they are as good as they are.. Talk about egos! Well done on the initiative to put this site together, Jacob. Please Give more…i am a web designer, we need new fonts… we used above 30 fonts our projects.. I agree with a lot of these, but not Lucida and Courier.

Really, Courier? If we need to aim for a typewriter look, then I say American Typewriter should be on this list instead. Almost every mechanical or electric typewriter ever made created fully monospaced text. The American Typewriter font is not properly monospaced.


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To check, compare the width of EVERY character in the font, including especially those that would be very wide or very narrow in a normal proportional font — uppercase W and M, lowercase i and l, space and all punctuation. But nevertheless thanks for givin a good comprehension.

Good work! Hi, thees are great fonts!! Coolarchive 3. I loved it! I new most of them but i find some great ones that i havent use yet… great list! Font choice is pretty personal I would hazard a guess, I have had clints that love comic sans despite the lack of love for it on the webs. Design is more than just font and color. Satisfying the client is important. Great list. I got most of them!

Just wanted to know which font pair s would work well with FF Dax? Nice font selection..!